Wednesday, August 13, 2008
Banana Slips on a Human
There is so much going on here in terms of humor. The first thing that comes to mind is the obvious frame shift. The shift may come late after the banana falls, realizing that it has slipped on a human. This then creates the association of parody on the timeless slipping on a banana peel joke. Added associations for more comic effect are the suitcase and umbrella the banana is holding. This frames the banana in our world which Echoes the theories of Henri Bergson:
"You may laugh at an animal, but only because you have detected in it some human attitude or expression. You may laugh at a hat, but what you are making fun of, in this case, is not the piece of felt or straw, but the shape that men have given it,--the human caprice whose mould it has assumed. It is strange that so important a fact, and such a simple one too, has not attracted to a greater degree the attention of philosophers. Several have defined man as “an animal which laughs.” They might equally well have defined him as an animal which is laughed at; for if any other animal, or some lifeless object, produces the same effect, it is always because of some resemblance to man, of the stamp he gives it or the use he puts it to."
Food is no different. Now with the rise of analytical comedy, a lot of weight is put on laughter in the question, "Why am I laughing at this?" which leads to "Why was this video even produced?" which may lead to another frame of laughter. The incongruity of the scenario lends itself extreme to the release of laughter. Banana's slipping on humans doesn't make sense, and this is a basic form of laughter that even the youngest human can cognitively understand.
Labels:
humor,
humor analysis,
Humor As Art
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment